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Content includes:
Johan Lagae, Tom Avermaete, Editorial, L’Afrique, c’est chic
Johan Lagae, Kulterman and After, On the Historiography of the 1950’s and the 1960’s Architecture in Africa
Madalena Cunha Matos, Colonial Architecture and Amnesia, Mapping the Work of Portuguese Architects in Angola and Mozambique
Haim Yacobui, The Architecture of Foreign Policy, Israeli Architects in Africa
Luce Beeckmans, French Planning in a Former Belgian Colony, A Critical Analysis of the French Urban Planning Missions in Post-Idependance Kinshasa
Tom Avermaete, Framing the Afropolis, Michel Ecochard and the African City for the Greatest Number
Luis Lage, Sammy Baloji, Strolling through Time on the Avenida Lenine, Maputo (Mozambique)
Viviana d’Auria, Bruno De Meulder, Unsettling Landscapes: The Volta River Project, New Settlements between Tradition and Transition

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Linked Information

OASE 82, 2010, Architecture and Planning in Africa 1950–1970. Designed by Karel Martens, Aagje Martens, Werkplaats Typografie
OASE 82, 2010, Architecture and Planning in Africa 1950–1970. Designed by Karel Martens, Aagje Martens, Werkplaats Typografie
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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When perusing vintage publications, I often stumble upon forgotten or undocumented gems. In this article, I compare two remarkable advertisements designed for Sprengel Ltd byHerbert Zumpe and Karl Otto Goetz

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Gregory Vines' design and process behind the Typographische Monatsblätter 1978 covers. From the initial inspiration drawn from Bellinzona's gate to the process of film montage, resulting in six stunning cover masterpieces.
House style can give identity to the diverse products or activities of a firm. It stimulates loyalty, helps to reduce costs, and has advertising value.

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Ian McLaren and Ken Briggs produced exceptional work for a range of clients in the arts and culture sector. Their client included CND (Campaign for Nuclear Disarmament), The National Theatre and the Arts Council.