OASE 05, 1983

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Content includes:
Redaktioneel
Typologie. Mensen, deuren en gangen by Robin Evans
Kritiek en onderwijs by Arie Graafland, Rob van der Bijl
Kritiek en ontwerp Ontwerponderwijs by Arie Graafland
Not the house for everybody by Arjan Hebly, Karin Theunissen
Constuctivistische gebouwen Twee Vesnin-clubs by Lisl Edhoffer, Lilian Bos

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OASE 05, 1983. Design by Eric Hordijk
OASE 05, 1983. Design by Eric Hordijk
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.

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Crouwel was the successor to Willem Sandberg who used an avant-garde approach in his work, utilising torn-paper montage, mixing of sans serif and old Egyptian typefaces and often off-center positioning. Crouwel steered away from this artistic approach and implemented a cohesive design system and a strong identity that emulated the corporate identity boom of the 1950s and 60s.
The most comprehensive account of ghost signs ever published, focusing on London’s hand-painted relics of advertising past