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Content includes:
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De ervaring van de woestijn by Geert Hovingh
Le musée imaginaire by Erik Terlouw
Het verlangen naar stijl by Henk Engel
De parallelle stad by Endry van Velzen
Aldo in Wonderland by Joost Meuwissen
Een uitbreidingsplan voor Nagele by Endry van Velzen

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OASE 26-27, 1989. Design by Mirjam van den Haspel
OASE 26-27, 1989. Design by Mirjam van den Haspel
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Flexible Visual Systems is the design manual for contemporary visual identities. It teaches you a variety of approaches on how to design flexible systems, adjustable to any aesthetic or project in need of an identifiable visual language.

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The advertising has a certain contrast of hand-drawn and mechanical. Produced entirely in black, it reminds us that the absence of colour can be highly effective. Hans Michel and Günther Kieser's illustrations bring a sense of both playfulness and a stylistic approach to a corporate client.

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Jazz Journal was first published in 1946 by Sinclair Traill, who also had some of his photographs used on the covers. The magazine is now online but remained in print for several decades, as Britain's longest enduring jazz magazine.

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Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.