Industrial Art News – Vol. 26, No. 6, July 1958

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Content includes:
Permanent Design Representative in Europe and America should be appointed
Lectures by, and Exercises under Mr. Jean Reinecke.
Visit to Brussels Fair (1) – SAITO Shigetaka
Design: High Speed Band Sawing Machine
Fuse Municipal Industrial Art Research Institute….
Education at The 46 Hochschule für Gestaltung Ulm” (2) – SIMIZU Sennosuke
Design : ‘Shunkei’ Lacquer Wares & Combined Set for Cigarettes
IAI Design Section
Industrial Design and Marketing Research (2) – Akashi Kazuo
Informal Report & Recommendation to The Ministry of International Trade &
Industry – Freda Diamond
Exhibitions, News

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Industrial Art News - Vol. 26, No. 6, July 1958. Cover design by Jun Kusakari
Industrial Art News – Vol. 26, No. 6, July 1958. Cover design by Jun Kusakari
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.

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Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.

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Industrial design was an American design magazine featuring furniture, ceramics, housewares, appliances, automobiles, buildings, radios, projectors, televisions, and many other objects designed for the postwar middle class. First published in the 1950s by Charles Whitney with Alvin Lustig as art director.