Alphabet and Image 3, Shenval Press, 1946

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Content includes:
Allen Hutt: THE GOTHIC TITLE-PIECE AND THE ENGLISH NEWSPAPER
Frances Sarzano: THE ENGRAVINGS AND BOOK DECORATIONS OF JOHN NASH
A. F. Johnson : 19TH CENTURY TYPEFOUNDERS AND MECHANICAL INVENTIONS
R. A. Bevan: THE PEN DRAWINGS OF HAROLD GILMAN
P. H. Muir : O.U.P.: a review
THE EARLY ALPHABETS OF ERIC GILL
Brooke Crutchley: PRINTED IN ENGLAND: a review

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Alphabet and Image 3, Shenval Press, 1946
Alphabet and Image 3, Shenval Press, 1946
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Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.
Graphic design continues to be documented and an increase in individualised documentation and curated social media accounts are furthering our knowledge of design from a worldwide historic standpoint. I would not feel complete without the collected design that spans the shelves of my archive. It’s my identity, my passion and my hobby.
The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.

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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.