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Neue Grafik / New Graphic Design / Graphisme actuel - No.14, 1962. Josef Müller-Brockmann, Hans Neuburg, Richard Paul Lohse, and Carlo Vivarelli
Neue Grafik / New Graphic Design / Graphisme actuel – No.14, 1962. Josef Müller-Brockmann, Hans Neuburg, Richard Paul Lohse, and Carlo Vivarelli
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Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.

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They were many other designs who played an important role in IBM's graphic identity and implementation. Some of the other designers included Arthur Boden, Clarence Lee, Charles Keddie and Mary Beresford.
Theo Häussler's commercial art is distinguished by its clear and disciplined form and its distinct advertising message.
"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."