Join the Mailing List

Membership

Collected Graphic Design History from Design Reviewed

Commercial Art Vol 10, No 56, February 1931

Information

Content includes:
The Advertising Agency and what it should provide.
Its Working. By W. W. J. Studd, Promotion Manager of Illustrated Newspapers Ltd.
Brighter ” Packs.” An article by Charles Rosner on Hungarian Packing Art
Exit Wax. A note on the new creations of Messrs. Siegel of Paris
The Detroit Exhibition of Advertising Art. Described by Norman H. Chase
Experiments in the Advertising film. By Oswell Blakeston
I.-Photographing Ideas
2.-The Advertising Talkie
Masters of the Poster. I.-Toulouse-Lautrec. By Stanley Rowland, M.A.
The Publicity of “La Grande Maison de Blanc.” By Marcel Valotaire
World Ideas in Advertising
An Important Book on Advertising
Two Hungarian Pack Lids
Bogelund. Danish Poster for County Council Schools Tournament 69
Toulouse-Lautrec. Poster. Troupe de Mlle. Eglantine
H. A. Budd. Underground Poster

Details

  • Format: Magazine
  • Year: 1931
  • Client/Publisher: The Studio Ltd.
  • Size: 205mm x 290mm

Linked Information

Commercial Art Vol 10, No 56, February 1931
Commercial Art Vol 10, No 56, February 1931
More graphic design artefacts
Typografia, ročník 59, 05, 1956. Cover design by Josef Hanzl
From the design archive:

Typografia, ročník 59, 05, 1956

  • Format: Magazine
  • Designer/s: Josef Hanzl
  • Year: 1956
View Artefact
Andorra, The National Theatre, London, 1964. Designed by Ken Briggs
From the design archive:

Andorra, The National Theatre, London, 1964

  • Format: Programme
  • Designer/s: Ken Briggs
  • Year: 1964
View Artefact
Gebrauchsgraphik, 10, 1969
From the design archive:

Gebrauchsgraphik, 10, 1969

  • Format: Magazine
  • Year: 1969
View Artefact
Form, Internationale Revue 14, 1961. Designed by Karl Oskar Blase
From the design archive:

Form, Internationale Revue 14, 1961

  • Format: Magazine
  • Designer/s: Karl Oskar Blase
  • Year: 1961
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Shostakovich Piano Concerto No. 1 opus 35 & No. 2 opus 102. Record 2 Rudolph de Harak.
  • Design Archive Feature, Members Only Content, Music Artwork

Rudolph de Harak and Westminster Records

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.
Read Article

Members Content

Kast + Ehinger (K+E) Advertisement. Back page of a 1960s issue of Gebrauchsgraphik. Designer Unstated
  • Design Archive Feature, Members Only Content

The 1950s and 1960s Advertisements of Kast + Ehinger (K+E)

As part of their marketing strategy, Kast + Ehinger, commissioned a selection of German designers to produce advertisements aimed at the design industry. I have scanned in quite a lot of their advertising matter, all of which were back-page advertisements from three German design magazines. Der Druckspiegel, Gebrauchsgraphik and Graphik – Werbung + Formgebung.
Read Article

Members Content

RAT, June 26 - July 10, 1970
  • Design Archive Feature, Members Only Content

1960s Counter-Culture Publications: Voices of Change, Rebellion, and Liberation

The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.
Read Article

Members Content

What has been said about the styling of advertisements goes for the field of publicity for chemical and pharmaceutical products as well. Whether it is a soporific, an analgetic or a protein remedy for defects of malnutrition - nearly without a single word, the efficiency of the product in question is symbolically characterized in the composition and the choice of colours equally to the point, on the covers of these prospectuses. Suppositions for such achievements are the highest level and a freedom of artistic means which our businessmen, when employing commercial artists, are only too seldom ready to grant. Designs Matthew Leibowitz
  • Design Archive Feature, Members Only Content

Advertising Pharmaceuticals, A Comparison of German and American Advertising in 1950

As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.
Read Article