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Written by Hans Verhagen designed by Wim Wandel using large modernist letterforms printed in Day-Glo inks.

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Cocon, Thomas Rap, 1967. Designed by Wim Wandel
Cocon, Thomas Rap, 1967. Designed by Wim Wandel
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Albrecht Ade's students produced some great typographic compositions and print work in his typography class, here's a selection of the work and information about Albrecht Ade.

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A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.

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Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.

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A fantastic example of Swiss design for brand systems is the brand and advertising by Siegfried Odermatt commissioned by Grammo Studio in Zurich.