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Willy Rotzler:
Olivetti als Beispiel
Kleine Geschichte der Olivetti
Die Architektur
Soziale und kulturelle Institutionen
Menschen im Werk
Produkte und Produktform
Porträt eines Industrial Designers: Marcello Nizzoli
Elektronische Datenverarbeitung
Spazio-Programm
Die Werbung
Stile Olivetti
„,Gute Industrieform”?
Günter Fuchs, Wir Juroren (Hannover-Messe)
Margit Staber, Die gute Form (Baseler Mustermesse)
Notizen
Aus unserer form – Korrespondenz

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Form, Internationale Revue 14, 1961. Designed by Karl Oskar Blase
Form, Internationale Revue 14, 1961. Designed by Karl Oskar Blase
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Theo Crosby was born in South Africa in 1925 and moved to Britain in the late 1940s. He was a highly skilled designer, architect and sculptor. He became the technical editor of Architectural Design magazine in 1953 and remained in the post for almost a decade. The large format magazines feature an array of content including information on buildings, materials and architectural plans.
A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.
I have long been a fan of Counter-Print, as a student, I would order their newsprint publications, peruse their Flickr albums and now, over a decade later I still buy their latest releases and their site provides our staff with great giftse throughout the year. I interviewed one of the founders, Jon Dowling to find out more about setting up Counter-Print, their favourite books and which publishers inspire them.
Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.