Information

World Graphics was published by Kimberly-Clark. It was designed and printed by Sequoia Press, Michigan. The art director and editor: William R. Stone.

‘This issue of WORLD GRAPHICS shows what is happening in some of the major schools of undergraduate higher education in the field of graphic design. As in most fields of learning, there are differences of approach to the subjects.
The work from the six schools shown is indicative of some of these points of view. The general concepts of design education of each school are discussed in each section.
It is exciting to see what these young people are devising as design solutions. Naturally, they have an opportunity for a good deal of experimental activity. Some indication of the depth of their basic training can be success of the experiments and the element seen in the element of discipline that runs through the work, as a whole.’

Details

Linked Information

World Graphics, Issue 4, 1963
World Graphics, Issue 4, 1963
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.
Every year the 20 best posters are selected in Germany and once more brought to the attention of the public. We do not publish all the twenty posters today; instead we add some which failed to be distinguished and which nevertheless are distinguished.
Graphic design continues to be documented and an increase in individualised documentation and curated social media accounts are furthering our knowledge of design from a worldwide historic standpoint. I would not feel complete without the collected design that spans the shelves of my archive. It’s my identity, my passion and my hobby.

Members Content

Rastorfer transformed the advertising of Volkswagen and his work contrasted with that of the previously commissioned designers. It reiterates the importance of finding a designer who can transform your vision and adverting and how the significance of consistent messaging across advertisements, contributes to the creation of a memorable campaign