Typography 5, Shenval Press, Spring 1938

Information

Robert Harling [Edited by]
Contents:
The Work of Denis Tegetmeier by Eric Gill
The Morning Post [Review] by S. L. Righyni
Timetable Typography by Christian Barman
The Bauer Typefoundry by Konrad Bauer
Updike’s Printing Types [Review] by Harry Carter
A Paul Nash Portfolio [Review] by John Gloag
The English Print [Review] by Howard Wadman
Patent Medicine Advertising by Denis Butlin
Modern Newspaper Make-Up by John E. Allen
Type Reviews and Specimens

Details

Linked Information

Typography 5, Shenval Press, Spring 1938
Typography 5, Shenval Press, Spring 1938
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Yoshio Hayakawa is one of Japan’s most influential post-war poster designers. His work represents a fusion of traditional Japanese art and European modernism often using soft, poetic brushstrokes and refined colour palettes and capturing the elegance of Japanese aesthetics while integrating the clean lines and bold visual language of Western design.

Members Content

Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.

Members Content

A fantastic example of Swiss design for brand systems is the brand and advertising by Siegfried Odermatt commissioned by Grammo Studio in Zurich.

Members Content

Oldřich Hlavsa worked primarily in publication design and typography and played a major part in Czech graphic design history. He designed over 2000 book covers and published a series of his own books related to typography.