Graphik – Werbung + Formgebung, 6, 1950

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Content includes:
Chemistry ads – seen by a chemist
E. Staudacher – Advertising in the field of fire extinguishing technology
ERP poster competition of the Marshall Plan countries in Paris
Dr. A. Grote – Tax advantages as sales aids
Dr. E. Henssler – trademarks at home and abroad

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Graphik – Werbung + Formgebung, 6, 1950
Graphik – Werbung + Formgebung, 6, 1950
More graphic design artefacts
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From the design archive:
From the design archive:
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Members Content

As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.

Members Content

In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.
Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.
Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.