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Published by the Polygraphic Research Institute, a specialized publishing and publishing center.
Chief editor: Ing. Vladimir Drbohlav.
Editor: Bojka Benešová.
Cover design by Luděk Rohlík.
Graphic editing by Sona Valoušková.
Prepared for printing by František Fantyš.

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Linked Information

Typografia, ročník 70, 04, 1967. Cover design by Luděk Rohlík
Typografia, ročník 70, 04, 1967. Cover design by Luděk Rohlík

 

Typografia, ročník 70, 04, 1967. Cover design by Luděk Rohlík
Typografia, ročník 70, 04, 1967. Cover design by Luděk Rohlík

 

Typografia, ročník 70, 04, 1967. Back Cover
Typografia, ročník 70, 04, 1967. Back Cover
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Flexible Visual Systems is the design manual for contemporary visual identities. It teaches you a variety of approaches on how to design flexible systems, adjustable to any aesthetic or project in need of an identifiable visual language.
The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.
The book "Modern Man In The Making" (1939), is a fantastic example of Neurath's work. The book uses Isotype's principles with text to illustrate complex societal issues like globalisation and war's impact on economies, prioritising visual recognition through symbols to aid in memorability—a philosophy that remains paramount in design today.

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Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.