Albertus specimen, (typeface by Berthold Wolpe), Monotype, ca. 1940

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Albertus specimen, (typeface by Berthold Wolpe), Monotype, ca. 1940
Albertus specimen, (typeface by Berthold Wolpe), Monotype, ca. 1940

 

Albertus specimen, (typeface by Berthold Wolpe), Monotype, ca. 1940
Albertus specimen, (typeface by Berthold Wolpe), Monotype, ca. 1940

 

Albertus specimen, (typeface by Berthold Wolpe), Monotype, ca. 1940
Albertus specimen, (typeface by Berthold Wolpe), Monotype, ca. 1940
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As part of an ongoing series showcasing Swiss poster designs from the 1950s and 1960s, this article features 1961 poster entries of Die besten Plakate des Jahres (The Best Posters of the Year) 1961. Originating in 1941, Die besten Plakate des Jahres initially served as a platform for the evaluation and showcase of Swiss posters.

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Stephan Kantscheff (Stephan Kanschev) was a Bulgarian artist born in Kaefer, Todental. His colourful palette and joyous, folk-esque illustrations won him many commissions and his work was celebrated for both its quality and social significance.
I have known Rob for over a decade and I have been a huge admirer of his work. He specialises in reverse gilded glass sign making, typographic murals and traditional sign-writing.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.