Information

Edited by Frank A. Mercer and Rathbone Holme

Content includes:
The Hyperlative
The Festive Parcel
Four Spokes To The Wheel: A consideration of industrial design essentials with particular reference to the work of Dave Chapman, President,
S.I.D.
Photograms
Obstacles to Design by E. C. Mackenzie
The 1951 Design Congress
New Designs from the Factories
Is the Trade Calendar Worth While ?

Details

Linked Information

Art and Industry 305, December 1951
Art and Industry 306, December 1951
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Industrial design was an American design magazine featuring furniture, ceramics, housewares, appliances, automobiles, buildings, radios, projectors, televisions, and many other objects designed for the postwar middle class. First published in the 1950s by Charles Whitney with Alvin Lustig as art director.

Members Content

Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.

Members Content

In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.
The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.