Logo Art by Kohei Miura, Bijutsu Shuppansha, 1991

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Kohei Miura was at Lubalin, Delpire & Cie.

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Logo Art by Kohei Miura, Bijutsu Shuppansha, 1991
Logo Art by Kohei Miura, Bijutsu Shuppansha, 1991

 

Logo Art by Kohei Miura, Bijutsu Shuppansha, 1991
Logo Art by Kohei Miura, Bijutsu Shuppansha, 1991

 

Logo Art by Kohei Miura, Bijutsu Shuppansha, 1991
Logo Art by Kohei Miura, Bijutsu Shuppansha, 1991

 

Logo Art by Kohei Miura, Bijutsu Shuppansha, 1991
Logo Art by Kohei Miura, Bijutsu Shuppansha, 1991
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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978. 
I have been reproached for this, and I will surely be reproached again. I have also been reproached for reading more and more obscure works whose readership must be limited to a handful of specialists and a few hobbyists like myself. It’s a heavy passion or a passion that sucks.
Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.
Every year the 20 best posters are selected in Germany and once more brought to the attention of the public. We do not publish all the twenty posters today; instead we add some which failed to be distinguished and which nevertheless are distinguished.