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Type in design theory by Hanns Karsten
Type in space advertising design by Dieter Urban
Type in poster design by Tobias Christoph
Type in magazine design by Alexandre Alexandre
Type in book design by Philipp Luidl
Type in layout composition by Wolfgang Zeitvogel
Type on television by Wolfgang Bergmeir

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Novum Gebrauchsgraphik, 11, 1980
Novum Gebrauchsgraphik, 11, 1980
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.
The UK’s first vintage poster market is to launch as a 3-day pop-up at the Copeland Gallery in Peckham 14-16 May. Entry is free.
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.

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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978.