Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Gebrauchsgraphik, 09, 1951

Information

Content includes:
Alexandre Alexandre: Jean Colin, Paris
Eberhard Hölscher: Helmut Jürgens, Scene-paintings
Albrecht Fabri: Joseph Fassbender, Köln
Eberhard Hölscher: Moby Dick, Illustrations by Herbert Pridöhl
Rolf Tietgens, New York. Photographien
Wilhelm Rotzler: Concert posters by Josef Müller-Brockmann
Eberhard Hölscher: Will Faber, Barcelona
Alexandre Alexandre: French song books
Eberhard Hölscher: Ernst Kösslinger, München
Max Körner: City poster competition in Düsseldorf

Details

  • Format: Magazine
  • Year: 1951
  • Client/Publisher: Bruckmann Verlag
  • Size: 210mm x 295mm

Linked Information

Gebrauchsgraphik, 09, 1951
Gebrauchsgraphik, 09, 1951
More graphic design artefacts
De Appel, La Musica II, 1996-97. Designed by Jan Bons
From the design archive:

La Musica II, Brochure, De Appel, 1996-97

  • Format: Brochure
  • Designer/s: Jan Bons
  • Year: 1996
View Artefact
Graphic Design 89, 1983
From the design archive:

Graphic Design 89, 1983

  • Format: Magazine
  • Designer/s: Ikko Tanaka
  • Year: 1983
View Artefact
Idea 234, 1992
From the design archive:

Idea 234, 1992

  • Format: Magazine
  • Year: 1992
View Artefact
Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995
From the design archive:

Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995

  • Format: Book
  • Designer/s: Jean Widmer
  • Year: 1995
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

A Collection of Japanese Ephemera from the 1930s and 1940s
  • Design Archive Feature, Members Only Content

A Collection of Japanese Ephemera from the 1930s and 1940s

Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.

Members Content

National-Zeitung SA Basel designed by Gerstner + Kutter, Basel in 1960
  • Design Archive Feature, Members Only Content

Swiss Posters from the 1960 Best Poster Award (Die besten Plakate des Jahres 1960)

The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.

Members Content

Wolfgang Weingart - Pioneer of Swiss New Wave
  • Design Archive Feature, Members Only Content

Wolfgang Weingart – Pioneer of Swiss New Wave

Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.

Members Content

Advertisements for Bol spirits designed by Atelier Engelmann and Klaus Oberer in late 50s : early 60s Cover
  • Design Archive Feature, Members Only Content

Bols. Advertising Matter from 1958 to 1961 by Engelmann, Mendell and Oberer

In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.