Information

Content includes:
Emil Preetorius – The Art of the small Format • Annual Report of the Artistic Advisory Board of the German Federal Postal Services for 1959
Hans Kuh – Petunia, the International Goose Illustrations from a Children’s Book by Roger Duvoisin
Erich Pfeiffer-Belli – Walter Bosshardt, Basel • Typography in Graphic Art
Remigius Netzer – Illustrations by Christoph Meckel for the Cycle «Moël»
Eberhard Hölscher – Gottlieb Ruth, Stuttgart • Book-Art and Commercial Graphic Art
Armin Eichholz – Jan Lenica, Warsaw • Political Caricatures
Eberhard Hölscher – Federal Horticultural Exhibition 1961 • Results of a Poster Contest

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Linked Information

Gebrauchsgraphik, 3, 1960
Gebrauchsgraphik, 3, 1960
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Olle Eksell is well known for his advertising illustration, book jackets and playful packaging design. He first studied engineering and later decided to become a graphic artist. He began his career as a window decorator in 1935, and studied under Hugo Steiner between 1939 and 1941.
I have known Rob for over a decade and I have been a huge admirer of his work. He specialises in reverse gilded glass sign making, typographic murals and traditional sign-writing.
In minor printed matter we constantly meet the new typography, but it is relatively rare to find posters designed on the new lines. And yet poster-designing is a field where new typographical methods might be employed with great effect.

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Before setting up Ken Garland & Associates in Camden, London, Ken was art editor of Design magazine in 1956. The magazine was published by the Council of Industrial Design, which was set up in 1944 with the prime focus of supporting Britains economic recovery.