Modern Publicity Vol 28, 1958-59, Studio Publications, 1959

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Modern Publicity Vol 28, 1958-59, Studio Publications, 1959
Modern Publicity Vol 28, 1958-59, Studio Publications, 1959

 

Modern Publicity Vol 28, 1958-59, Studio Publications, 1959
Modern Publicity Vol 28, 1958-59, Studio Publications, 1959

 

Modern Publicity Vol 28, 1958-59, Studio Publications, 1959
Modern Publicity Vol 28, 1958-59, Studio Publications, 1959
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

One of my standout collected pieces is Erberto Carboni’s Crociere 1937 “Italia” Brochure, created for the Societa di Navigazione’s 1937 cruise schedule.

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In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.

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Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.
Why Graphic Culture Matters is a compilation of 46 thought-provoking essays by renowned design critic Rick Poynor, delving into the realms of art, design, and visual communication.