Rolf Müller - Graphic Designer - Germany

HQ- High Quality, Heft 17 2/1990

Information

Content includes:
Günther Nenning: Lechts und Rinks
Walter Siegfried: Links Rechts – Hut Schmuck
Links ist da, wo der Daumen…
Derrick de Kerckhove: A New Perspective on the Alphabet
Eine Bildergeschichte von Xiao Hui Wang
Die Liebe, die Langeweile, die Leidenschaft.
Ein Gespräch zwischen Xiao Hui Wang und Rainer Stephan
Vier Bilder aus dem Museum
Philipp Luidl: Weshalb die Schrift die Seiten wechselte
Anton Stankowski zu Links-Rechts
Jens Wendland: Die Flucht aus dem Schema
Michael Bierut, USA
Ben Oyne, Frankreich
Werner Jeker, Schweiz

Details

Rolf Müller was born in Dortmund in 1940 and studied at the University of Design of Ulm, from 1960 to 1963. He worked with Josef Müller-Brockmann, Zürich from 1963 to 1964 and he worked at his own studio in Ulm. from 1965. From 1967 until 1972 he worked with Otl Aicher and served as deputy representative for the Design of the 20th Olympic Games Munich 1972. In 1973 he moved Munich and set up his own studio there.

Linked Information

HQ- High Quality, Heft 17 2/1990. Designed by Büro Rolf Müller
HQ- High Quality, Heft 17 2/1990. Designed by Büro Rolf Müller
Rolf Müller was born in Dortmund in 1940 and studied at the University of Design of Ulm, from 1960 to 1963. He worked with Josef Müller-Brockmann, Zürich from 1963 to 1964 and he worked at his own studio in Ulm. from 1965. From 1967 until 1972 he worked with Otl Aicher and served as deputy representative for the Design of the 20th Olympic Games Munich 1972. In 1973 he moved Munich and set up his own studio there.
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The book "Modern Man In The Making" (1939), is a fantastic example of Neurath's work. The book uses Isotype's principles with text to illustrate complex societal issues like globalisation and war's impact on economies, prioritising visual recognition through symbols to aid in memorability—a philosophy that remains paramount in design today.

Members Content

Japanese modern design was heavily influenced by European art movements, particularly modernism and the Bauhaus school. As Japan's advertising industry expanded, it increasingly drew from Western culture, especially television and film, resulting in designs that were eclectic, vibrant, and infused with modernist energy.
The Paris Poster Hoardings of 1938. Posters gleam forth accentuating the melody of this city as they direct the eye to articles of everyday use and above all to people who are the talk of the hour.

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In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.