Information

Content includes:
Posters in Switzerland
On Raymond Savignac by H. Hara
On Paul Rand by Y. Kamekura
Advertising art in Japan
M. Shigenari, A. Yamana, Y. Yamashiro, T. Kono, T. Ohashi, Y. Hayakawa, T. Miyanaga, T. Sawamura, K. Ito, S. Imatake, K. Kuriyagawa, T. Ujihara, Y. Nakada, N. Ochiai
Choshi Soy-sauce Mfg. Co. Morinaga Confectionery Co.
You can smile at these humorous arts by Hiroshi Ohchi
Vision and design of abstraction by Masaru Katsumi
Round-up of the World’s Posters by Takashi Miyayama
Prize winners of 1952 Poster Competition
EDITORIAL:
From chairman to readers by K. Ogawa, chairman
Bridge by T. Miyayama
Advertising in America I observed by S. Arai
Let’s organize Art Director’s Club by M. Fujimoto
Scientific Advertising by Claude Hopkins
Follow the Path I Walked Along by I. Nomoto
I Like Coke by E. B. Weiss

Editor: Takashi Miyayama
Art Director: Hiroshi Ohchi

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Linked Information

Idea 001, 1953. Cover design by Kenji Ito
Idea 001, 1953. Cover design by Kenji Ito
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Japan's first foreign film venue, Shochikuza Theatre (1923) is an icon of Modernism. Its Art Deco-influenced advertising, showcased in the 1925 Shochikuza News magazine, offers a glimpse into Japans influences from the West.

Members Content

Publimondial was founded André Roulleaux in 1942 and remained in circulation until 1960. The French journal was published by Art et Publications and was subtitled ‘The Magazine of Graphic Arts and Advertising Technique’.

Members Content

As part of an ongoing series showcasing Swiss poster designs from the 1950s and 1960s, this article features 1961 poster entries of Die besten Plakate des Jahres (The Best Posters of the Year) 1961. Originating in 1941, Die besten Plakate des Jahres initially served as a platform for the evaluation and showcase of Swiss posters.
Last month (March 2022), I spoke to over fifty Graphic Design undergraduates about the archive and my passion for design history, after which the students had full access to items in the collection and participated in discourse amongst their peers and lecturers. As part of their critical studies unit, the students will be producing essays and content related to the impact, history and aesthetics of selected artefacts.