Graphis 195, 1978/79

Information

Content includes:
Archigraphia. A New Graphis Book on Architectural and Environmental Graphics, by Stanley Mason
Art Directors Club fur Deutschland. A cross-section of the work chosen by the German Art Directors Club for 1976 and 1977, by Ludwig Steinmetz, Dusseldorf
2 X Roland Topor: Recent Work in the Galerie Keel, by Reinhardt Stumm, Rheinfelden; 120 Illustrations for the Complete Stories of Marcel Ayme, by Stanley Mason, Zurich
The Ninth Kodak Colour Calendar Contest in Stuttgart, 1978, by Dr. Karl Steinorth, Stuttgart
Allan Fleming, by Robert Burns, Toronto
Spektrum: A Quarterly of Printmaking and Poetry, by Manuel Gasser, Zurich
Janosch. Etchings for a Wedding Portfolio

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Graphis 195, 1978:79. Cover design by Roland Topor
Graphis 195, 1978:79. Cover design by Roland Topor
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Both educators have a keen interest in multiscriptual design, Arabic type design, and graphic design and recently released A History of Arab Graphic Design. I contacted Bahia and Haythem to find out more.

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Ian McLaren and Ken Briggs produced exceptional work for a range of clients in the arts and culture sector. Their client included CND (Campaign for Nuclear Disarmament), The National Theatre and the Arts Council.

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In 1997 Tadanori Yokoo showcased 31 new silkscreens at the Ginza Graphic Gallery in Tokyo. Many of these works were previously unseen, and I was fortunate enough to discover a feature in a back issue of Idea magazine that showcased the full collection of silkscreen posters. 

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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.