Join the Mailing List

Membership

Collected Graphic Design History from Design Reviewed

Design USA, U.S. Trade Centre, London

Information

Details

  • Format: Exhibition Catalogue
  • Designer/s: Robert Zeidman Associates, Inc.
  • Year: 1965
  • Client/Publisher: U.S. Trade Centre, London
  • Size: 210mm x 275mm

Linked Information

Design USA, U.S. Trade Centre, London
Design USA, U.S. Trade Centre, London designed by Robert Zeidman Associates, Inc.
More graphic design artefacts
Jan van Toorn Calendar 1972 > 2012, 2012
From the design archive:

Jan van Toorn Calendar 1972 > 2012, 2012

  • Format: Book
  • Designer/s: Jan van Toorn
  • Year: 2012
View Artefact
25 years of the Estonian SSR, Russian 1965 Matchbox Label
From the design archive:

25 years of the Estonian SSR, Russian 1965 Matchbox Label

  • Format: Matchbox Label
  • Year: 1965
View Artefact
Typografia, ročník 65, 08, 1962. Cover design by Vladislav Najbrt
From the design archive:

Typografia, ročník 65, 08, 1962

  • Format: Magazine
  • Designer/s: Vladislav Najbrt
  • Year: 1962
View Artefact
Back Cover 02, 2009. Designed by deValence
From the design archive:

Back Cover 02, 2009

  • Format: Magazine
  • Designer/s: deValence
  • Year: 2009
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Schweiz. Konferenz für Sicherheit im Strassenverkehr Bern. designed by Hans Hartmann, Bern in 1963
  • Design Archive Feature, Members Only Content

Swiss Posters from the 1963 Best Poster Award (Die besten Plakate des Jahres 1963)

Forward and a selection of poster designs entered to the Die besten Plakate des Jahres 1963. Featuring the work of Hans Hartmann, Jörg Hamburger, Jost Hochuli, and Armin Hofmann.
Read Article

Members Content

Posters for the Shell Service Stations by Frank Eidlitz
  • Design Archive Feature, Members Only Content

Arrows of Advertising – An Australian Shell Poster Campaign designed by Frank Eidlitz

A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.
Read Article

Members Content

Scan 482 copy
  • Design Archive Feature, Members Only Content

Posters and Publicity by Ken Briggs and Ian McLaren

Ian McLaren and Ken Briggs produced exceptional work for a range of clients in the arts and culture sector. Their client included CND (Campaign for Nuclear Disarmament), The National Theatre and the Arts Council.
Read Article

Members Content

Unimark International and the visual identity of South-African manufacturer, DEFY.
  • Design Archive Feature, Members Only Content

Unimark International and the visual identity of South-African manufacturer, DEFY.

The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.
Read Article