Join the Mailing List

Membership

Collected Graphic Design History from Design Reviewed

Ernst Neizvestny, Stedelijk Museum, Amsterdam, 1976

, ,

Information

Details

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel and Daphne Duijvelschoff (Total Design)
  • Year: 1976
  • Client/Publisher: Stedelijk Museum, Amsterdam
  • Size: 270mm x 210mm

Linked Information

Ernst Neizvestny, Stedelijk Museum, Amsterdam, 1976 designed by Wim Crouwel and Daphne Duijvelschoff (Total Design)
Ernst Neizvestny, Stedelijk Museum, Amsterdam, 1976 designed by Wim Crouwel and Daphne Duijvelschoff (Total Design)
More graphic design artefacts
Picasso, Tate Gallery, London, 1960
From the design archive:

Picasso, Tate Gallery, London, 1960

  • Format: Exhibition Catalogue
  • Year: 1960
View Artefact
Idea 312, 2005-9. Kaoru Kasai
From the design archive:

Idea 312, 2005-9

  • Format: Magazine
  • Designer/s: Kaoru Kasai
  • Year: 2005
View Artefact
Design (Japan), 55, 1964. Cover design by Kohei Sugiura
From the design archive:

Design (Japan), 55, 1964

  • Format: Magazine
  • Designer/s: Kohei Sugiura
  • Year: 1964
View Artefact
Architectural Design, November 1957. Cover design by Theo Crosby
From the design archive:

Architectural Design, November 1957

  • Format: Magazine
  • Designer/s: Theo Crosby
  • Year: 1957
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Banco do Estado de São Paulo Logo designed by Aloísio Magalhães, 1969
  • Design Archive Feature, Members Only Content

The Logos and Symbols of Brazilian Designer, Aloísio Magalhães

Magalhães developed over 180 brands and in addition to developing visual identities, he also developed designs for Brazilian notes and coins.
Read Article

Members Content

Cinderella - Stuttgart, Bundesn Gartenschau, 1961
  • Design Archive Feature, Members Only Content

Cinderella. A selection of Publicity Stamps and Stickers

I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.
Read Article

Members Content

Kupka, Stedelijk Museum, Amsterdam, 1968 designed by Wim Crouwel (Total Design)
  • Design Archive Feature, Members Only Content

Wim Crouwel and the Stedelijk Museum

Crouwel was the successor to Willem Sandberg who used an avant-garde approach in his work, utilising torn-paper montage, mixing of sans serif and old Egyptian typefaces and often off-center positioning. Crouwel steered away from this artistic approach and implemented a cohesive design system and a strong identity that emulated the corporate identity boom of the 1950s and 60s.
Read Article

Members Content

Scan 415
  • Design Archive Feature, Members Only Content

Manifestos on Kinetic Art

Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.
Read Article