Commercial Art Vol 10, No 60, June 1931

Information

Content includes:
Designing an Exhibition. By Douglas Tanner, F.R.I.B.A.
Venesta Exhibition Stand Competition
New Paths in Poster Work. By Jan Tschichold
Is Modern Advertising in Touch with the Public By Leslie Stubbings of Service Advertising Co., Ltd.
Michel Bouchaud
Style and the Art Director. By Walter Smith of J. Walter Thompson Company
Dudley Hardy, Masters of the Poster, 4. By Stanley Rowland
The Fashion Parlour. By A. S. Levetus
Juan Oliver. By Earle K. James
A. M. Cassandre. Poster for Wagon Lits
Michel Bouchaud. Cover of Menu Card
Dudley Hardy. Poster The Gaiety Girl
Show Card for Abraham & Straus, New York

Details

Linked Information

Commercial Art Vol 10, No 60, June 1931
Commercial Art Vol 10, No 60, June 1931
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.

Members Content

Erik Nitsche's notable book series, the New Illustrated Library of Science and Invention comprised twelve volumes and they are a fantastic example of how to design a perfect non-fiction book!
"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."

Members Content

Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.