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Content includes:
People and Works of Shigeo Fukuda / Takahiko Okada
The world of sound and radio Matsushita Electric talks about companies and design / Toyoguchikyo
Compasso d’Oro ’67 Report / Masanao Uematsu
The New Generation of Swedish Design / Toshiya Koseki
Series: Fragments of Japanese Advertising Art History Kampo and Ranpo
Designer triple mirror Occupation entry / Ryohei Yanagihara
Series: Pioneering Bauhaus in Modern Design Education ⑤ / Hisao Miyajima
Woodcraft George Nakashima
About George Nakashima / Yasuhiko Kobayashi
Dialogue: I start with a tree / George Nakashima + Isamu Kenmochi
From the 13th Excellent Car Poster Exhibition / Tadashi Iizawa

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Design (Japan), 110, 1968. Cover design by Tadanori Yokoo
Design (Japan), 110, 1968. Cover design by Tadanori Yokoo

 

Design (Japan), 110, 1968 Back Cover
Design (Japan), 110, 1968 Back Cover
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Advances in production and 1950s chewing gum marketing. From Wrigley's iconic "Spearman" ads to Hiroshi Ohchi's designs for Harris Chewing Gum.
Elizabeth Resnick is a Professor Emerita, former chairperson of the Graphic Design Department, and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts, since 1977. She ran her own independent Boston design studio from 1973 to 1996, working with many high-profile clients and is a passionate design curator who has organized seven comprehensive design exhibitions. I interviewed Elizabeth about her journey in the field, her early influences and some of the many items in her collection.
The transformation of Radio Free Berlin's publicity from dark and provincial to striking and imaginative. Cultural announcements and radio programs designed by Hans Förtsch, Sigrid von Baumgarten, and Reinhart Braun

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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978.