Content includes:
Printing Image ⑥ Image Light / Fumiko Hibino
Trivial space 72 ⑤City / Naoki Yanagimoto
Prop Art ⑥ Let’s study a little more now / Keisuke Nagatomo, Shinzo Higurashi, Seitaro Kuroda
Space of obscenity ⑤ Laughter in the station building / Tomomi Muramatsu; Photo: Takao Niikura
Current magazine review ⑤ Trick of the geocentric theory / Tetsuo Shimizu; Illustration: Keishiro Komatsu
Toshio Matsumoto’s experimental film
Series ⑥ Adventure of the Circle: Tatji Morohashi “Great Kan-Japanese Dictionary” / Shinichi Kusamori; Photo: Kishin Shinoyama
Series ⑥ Dialogue between matter and form: About ant collections or dense spaces / Koichiro Ishizaki
Series ⑥ Decorative Space Theory: Botany of Arabesque / Hiroshi Unno
Series ⑥ Written Words, Replicated World ② / Koji Taki
Book review “The Myth of Seeing” / Jun Miyagawa
Design Digest Vacuum Cleaner and Others / Hisao Ishiwata
Rethinking ID⑨ Design for children / Tetsuo Arakawa
From Naoki Hiramatsu’s illustration collection
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
A 1971 portfolio and exhibition catalogue documenting the corporate identity work of Henrion Design Associates, a rare find revealing the full scope of FHK Henrion's branding practice.
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Design Archive Feature, Design Education, Members Only Content, Regional Histories, Typography & Type Design
The August 1964 issue highlights the Typography class at the Pratt Institute in New York, a relatively new course at the time. Pratt, one of the most renowned art schools in the United States, had departments for graphic design, painting, art education, industrial design, and applied graphics in the 1960s. The typography course combined theoretical lectures with practical workshops, aimed at students beginning their journey into the discipline.
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Design Archive Feature, Members Only Content, Regional Histories, Typography & Type Design
60 examples of Czech typography from Typografia Vol. 22 (1911). Czech commercial printing at the crossroads of Art Nouveau and early modernism, with work by Methoděj Kaláb, Alois Chvála, V. H. Brunner and many more.
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