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Content includes:
Printing image ⑦ journalistic landscape / Yutaka Takayanagi
Prop Art ⑦ Women / Eiko Ishioka
Bimonthly series ④ From spatial segmentation to structure / Takahiko Okada
Space of obscenity ④ After-school lewdness / Tomomi Muramatsu; Photo: Takao Niikura
Current magazine review ④ The blushing fear of the times / Tetsuo Shimizu
Series 7: Dialogue between matter and form: In the underworld or the space of death / Koichiro Ishizaki
Series ⑦ Decorative Space Theory: Patterns of Life / Hiroshi Unno
Series ⑦ Written words, drawn humans / Koji Taki
Photos by Nobuyoshi Araki from “Sentimental Journey” / Mutsuo Sakata
Design Digest / Hisao Ishiwata
Reconsidering ID⑩ Motorcycle Design / Tetsuo Arakawa
Challenging space and three-dimensionality through joints / Kimio Watanabe
Canvas and wooden chair / Ikuyo Mitsuhashi
Goodbye Pushpin / Shigeo Fukuda
Mr. Hisao Saito – Behind the scenes of the rise of posters – 20 years of betting on screen printing
Thoughts on the living clock of the city / Riki Watanabe

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Linked Information

Design No.159 July 1972. Cover design by Koji Kusafuka
Design No.159 July 1972. Cover design by Koji Kusafuka

 

Design No.159 July 1972 Back Cover
Design No.159 July 1972 Back Cover
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Japan's first foreign film venue, Shochikuza Theatre (1923) is an icon of Modernism. Its Art Deco-influenced advertising, showcased in the 1925 Shochikuza News magazine, offers a glimpse into Japans influences from the West.

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They were many other designs who played an important role in IBM's graphic identity and implementation. Some of the other designers included Arthur Boden, Clarence Lee, Charles Keddie and Mary Beresford.
In Rau's case, the combination of graphic design and photo produces a particularly positive result, since he uses the photo not so much as an object of representation but rather as a suggestive means of expression.

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Industrial design was an American design magazine featuring furniture, ceramics, housewares, appliances, automobiles, buildings, radios, projectors, televisions, and many other objects designed for the postwar middle class. First published in the 1950s by Charles Whitney with Alvin Lustig as art director.