Eye, Issue 061, Autumn 2006

Information

Content includes:
Opinion:
Neither deco nor rational – Letter from Ben Archer
Faust legend – Letter from John Hubbard
Just what we need: 24-hour shopping – Letter from J.T. Adams
The missing Eye conference – Letter from Darren Young
A world without Eye – Letter from Robert Fauver
Terse and optional – Letter from Christopher Robbins
Digital self-expression by Rick Poynor
The MySpace phenomenon makes graphic expression as simple as swapping photos or keeping a diary. Critique by Rick Poynor
Features:
The alchemy of interpretation
Neither downloading, promoting nor selling, Seemusic is about the age-old quest to experience sound as vision
Written in stone by Karl Baden
That’s art direction by Simon Esterson
Words and pictures – and the way they are used to tell a story – lie at the heart of every magazine, big or small
‘No muscles, no tattoos’ by Alice Twemlow
Each of Jop van Bennekom’s eccentric magazines perches precariously at its niche’s edge
From object to observer by Abbott Miller
Exhibitions blend the complexities of architectural space with the narrative concerns of book design
The Couch by Will Temple
Abbott Miller’s installation for the Freud Museum in Vienna puts exhibition design theory into practice
Moderne times by Steven Heller
Why has France’s influence upon European graphic design been underestimated and neglected?
Shock tactics: Bazooka by Roger Sabin
Though inspired by UK punk, the Bazooka collective’s violent, sexy graphics spoke in a French accent
Reading Habits by John O’Reilly
‘Good’ editorial design has no place in The Guardian’s print-your-own A4 G24, but readers love its ‘robotic’ vernacular
Smear by Steve Hare
Smear, featuring a caricature of UK politician Jeremy Thorpe, is the Penguin Special that never was

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Eye, Issue 061, Autumn 2006
Eye, Issue 061, Autumn 2006
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.
Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.

Members Content

Karl Oskar Blase was born in 1925 in Cologne, Germany. He was a prolific painter, designer, sculptor and exhibition curator. His work included magazine covers, for publications such as Form and Gebrauchsgraphik, stamp designs for the German Postal Service and film posters for companies such as Atlas Films.

Members Content

Working alongside André Gürtler and Bruno Pfäffli, Adrian Frutiger designed many logo designs. Here is a selection of the designs which were featured in Der Druckspiegel, December 1961. I have also translated and rewritten the descriptions to provide more depth.