Eye, Issue 075, Spring 2010

Information

Content includes:
Opinion:
Monitor: End of default by Jay Prynne
The future is ours to see by Rick Poynor
Eye Education, Steven Heller
Features:
Over the rainbow by John L. Walters
Machine head by Rick Poynor
They work with words: 1 by Fraser Muggeridge
Fraser Muggeridge has devised a typographic spread exclusively for Eye.
They work with words: 2 by Jon Link, Mick Bunnage
They work with words: 3 by Oliver Knight, Rory McGrath
Reputations: Peter Biľak by Mark Thomson
Deep in the archives by Christian Schwartz, Paul Barnes
Make each letter speak out loud by Liz Farrelly
To the letter by Paul Shaw
Up close and tight by Laura Forde
Reviews:
The Form of the Book Book
On the Move
Regular Graphic Design Today
Lake Antiquity: Poems 1996-2008
Glitch: Designing Imperfection
Interaction of Color: New and Complete Edition
Objectified: A Documentary Film
Helvetica and the New York Subway System
Digital Pioneers
Richard Hamilton
Every Thing Design: The Collections of the Museum für Gestaltung Zürich
Ms Understood: Women’s Liberation in 1970s Britain
Limited Language: Rewriting Design: Responding to a feedback culture

Details

Linked Information

Eye, Issue 075, Spring 2010
Eye, Issue 075, Spring 2010
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.

Members Content

Just like people, cities are complex systems. Planners and designers play a key role in making them function smoothly through well-designed signage systems and visual identities. These elements must not clutter the environment but instead serve to inform, direct, and warn the public effectively.  
House style can give identity to the diverse products or activities of a firm. It stimulates loyalty, helps to reduce costs, and has advertising value.

Members Content

Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978.