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Graphic Design History from Design Reviewed

Form, Internationale Revue 48, December 1969

Information

Content includes:
Design-Tagungen – G. Bonsiepe, ICSID-Kongreß 1969. Auszüge aus Vorträgen
Design-Ideologien – G. Müller-Krauspe, Industrial Design morgen – Alternativen
form-Interview Mit dem Molotow- Cocktail in der Tasch Ein Gespräch mit Luigi Colani
Produkte
I. Klöcker, Lastesel für Zambia
Das Design geht in die Luft – :
Hubschrauber BO 105 und DO 132
Für eine neue Umgebung
Schäume, Ideen und Träume
Blickpunkte vom Möbelsalon Mailand
Wettbewerbe- Bundespreise für „Gute Form”. Syma-Gestaltungswettbewerb
form-Forum- F. Strzelczyk, Das kalkulierbare Risiko. J. Schmidt, Idealistisches Design?

Details

  • Format: Magazine
  • Designer/s: Karl Heinz Krug
  • Year: 1969
  • Size: 230mm x 290mm

Linked Information

Form, Internationale Revue 48, December 1969. Designed by Karl Heinz Krug
Form, Internationale Revue 48, December 1969. Designed by Karl Heinz Krug
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Atelier No. 373, 1958 - Key to Modern Art Production For Painters, Sculptors, Designers and Educators. Cover design by Yusaku Kamekura
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Atelier No. 373, 1958 – Key to Modern Art Production: For Painters, Sculptors, Designers and Educators

  • Format: Magazine
  • Designer/s: Yusaku Kamekura
  • Year: 1958
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Co Westerik, Stedelijk Museum, Amsterdam, 1972. Design by Wim Crouwel and Magda Tsfaty (Total Design)
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Co Westerik, Stedelijk Museum, Amsterdam, 1972

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel and Magda Tsfaty (Total Design)
  • Year: 1972
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Jazz Journal, 12, 1974. Cover design by Sally Ruff
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Jazz Journal, 12, 1974

  • Format: Magazine
  • Designer/s: Sally Ruff
  • Year: 1974
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Graphis 101, 1962. Cover design by Felix Müller.
From the design archive:

Graphis 101, 1962

  • Format: Magazine
  • Designer/s: Felix Müller
  • Year: 1962
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Members Content

Greeting Cards designed by Stephan Kantscheff. Scanned from Gebrauchsgraphik, 2, 1958
  • Design Archive Feature, Design Inspiration, Members Only Content

Stephan Kantscheff (Kanschev) – A Bulgarian Master of Illustration

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Idea 81, 1967. Cover design by Yusaku Kamekura
  • Design Archive Feature

Elements of Idea “The Arrow” by Shigeo Fukuda, 1973

The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.
Radio Free Berlin, Concert poster designed by Hans Förtsch and Sigrid von Baumgarten C
  • Design Archive Feature

The Publicity of Radio Free Berlin, Text by Franz-Hermann Wills, 1966

The transformation of Radio Free Berlin's publicity from dark and provincial to striking and imaginative. Cultural announcements and radio programs designed by Hans Förtsch, Sigrid von Baumgarten, and Reinhart Braun
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Parallel Public – Experimental Art in Late East Germany By Sara Blaylock

Parallel Public is a new publication by Sara Blaylock, published by MIT Press. The book documents the East German artists pioneering work that made their country’s experimental art scene a form of (counter) public life.