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Graphic Design History from Design Reviewed

Form, Internationale Revue 60, 4, 1972

Information

Content includes:
Design-Ausblicke:
F. Vester, ,,Design für eine Umwelt des Überlebens”
Firmen-Image:
J. Grimm, Die Alternative kommen-
Grafik-Design:
Wege zu einem neuen Werbe-Bewußtsein?
H. Bauer, Faules Ei – Verkehrs- orientierung durch Grafik-Design?
Schularbeit: G. Schülke, Ein Verkehrs- erziehungsspiel
Produkt-Design:
Loewy für Shell: Corporate Image
P. Hoppe, Technische Voraussetzungen für eine Projektstudie
Geschäumte Sicherheit – gugelots Sicherheitsauto für BMW
E. Pumpe-Krüger, Möbel-Design: Routine stat Kreativität?
Design-Wettbewerbe:
Drei Braun-Preise 1972 –
Sozialgesellschaftliches Design statt Konsumästhetik
Design-Theorie: W. Pohl, Design auf dem Wege zu einer Wissenschaft?
form-Forum: F. Seitz, Gewollt – gedacht – gesagt Anmerkungen zur BDG-Resolution
J. Krumrey, Motivationen für eine andere Verbandspolitik des VDID
Hilfsmittel für die Praxis: H. Klein, Test Copyproof-System
Markt: Produkte, gesehen und notiert

Details

  • Format: Magazine
  • Designer/s: Karl Heinz Krug
  • Year: 1972
  • Size: 230mm x 290mm

Linked Information

Form, Internationale Revue 60, 4, 1972
Form, Internationale Revue 60, 4, 1972
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Under The Stars of Fantasy, Graphic Art in Polish Books for children, Krajowa Agencja Wydawnicza, 1977

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  • Year: 1977
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Unimark International and the visual identity of South-African manufacturer, DEFY.

The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.
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Idea 81, 1967. Cover design by Yusaku Kamekura
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Yūsaku Kamekura. Japanese Graphic Designer | 1915 – 1997

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