Gebrauchsgraphik, 05, 1954

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Content includes:
Sigwart Blum : Luis Seoane, Buenos Aires. Book jackets
Hiroshi Ohchi : Japanese calendars for banks
Eberhard Hölscher: Turandot. Ballet figurines by Anny Keim-Strauss
Lucienne R. Alexandre: Scent bottles from Paris
Mar Körner : The week at Kiel. Results of a contest for posters
Eberhard Hölscher: Gregor Orczykowski, Essen
Ludwig Ebenhöh: The topical page
«Steile Futura», a type of the Bauersche Gießerei, Frankfurt a. Main
Eberhard Hölscher: G. W. Hörnig, Hamburg. A model series of ads
Handy Craft: Embroidered graphic art
Ludwig Ebenhöh: Theatre posters by Hansheinrich Palitzsch
Eberhard Hölscher: Autopropaganda of Swiss advertising agents
Carl Heußner : André François
«Graphique», a type of the Haas’sche Schriftgießerei, Münchenstein/Bâle
Plagiarism

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Gebrauchsgraphik, 05, 1954
Gebrauchsgraphik, 05, 1954
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As part of an ongoing series showcasing Swiss poster designs from the 1950s and 1960s, this article features 1961 poster entries of Die besten Plakate des Jahres (The Best Posters of the Year) 1961. Originating in 1941, Die besten Plakate des Jahres initially served as a platform for the evaluation and showcase of Swiss posters.

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After researching further into the work designed by their practice, I found ten programmes designed between 1958 and 1960. These programmes were designed for a variety of live jazz events in Germany and all followed the same format.

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Japan's first foreign film venue, Shochikuza Theatre (1923) is an icon of Modernism. Its Art Deco-influenced advertising, showcased in the 1925 Shochikuza News magazine, offers a glimpse into Japans influences from the West.

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Oldřich Hlavsa worked primarily in publication design and typography and played a major part in Czech graphic design history. He designed over 2000 book covers and published a series of his own books related to typography.