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Contents includes:
The Scene-Painer Paul Haferung
Fritz Kredel, a German Illustrator
Five American Advertising Artists
Silhouettes by Ernst Moritz Engert
Pictorial Impressions of a Trip to Italy, Photos by Dr. Gust Hahn;
Designers include Joseph Carter, Ernst Moritz Engert, Harry Farrell, Ivar Gull, Paul Haferung, Gust Hahn, Fritz Kredel, Aage Rasmussen

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Gebrauchsgraphik, 06, 1939. Cover design by Heinz Allner
Gebrauchsgraphik, 06, 1939. Cover design by Heinz Allner
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.

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Both the And So To Embroider & And So to Sew bulletins were published by the Needlework Development Scheme. Established in 1934 and operating until 1961, the scheme was a partnership between educational establishments (Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow) and industry.
The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.
Theo Häussler's commercial art is distinguished by its clear and disciplined form and its distinct advertising message.