Content includes:
Eberhard Hölscher – HOMO VIVENS • An Unusual Publicity Campaign
Remigius Netzer – Industrial Graphic Art by Herbert Bonhorst
Eberhard Hölscher – Frank Eidlitz • Modern Australian Publicity
Armin Eichholz – The Swiss Line • Drawings by Lindi
Hans Kuh – The New Style of VW-Publicity
Carl Heussner – Marlies Fegebank • Graphic Advertising Art
Horst Avenarius – On the Photos by Heinz Held
Jan Berger – Helmut Hellmessen • Art and Publicity
Ludwig Ebenhöh – ]Paul Hoyrup • A Danish Graphic Artist


Linked Information

Gebrauchsgraphik, 6, 1962
Gebrauchsgraphik, 07, 1962
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
"Talking about myself as a designer is something that requires a powerful dialogue with my life experiences. In a radical way, I apply an exercise in which design forms become projections of life, extensions of meaning that constantly involve senses."

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Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.

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Wolfgang Bäumer's advertising design for Bayer, Klöckner Works and the Lottery. His adaptable design aesthetic alongside his skills of convening messaging through visuals are fantastic examples of mid-century German graphic design.

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Theo Crosby was born in South Africa in 1925 and moved to Britain in the late 1940s. He was a highly skilled designer, architect and sculptor. He became the technical editor of Architectural Design magazine in 1953 and remained in the post for almost a decade. The large format magazines feature an array of content including information on buildings, materials and architectural plans.