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Collected Graphic Design History from Design Reviewed

Gebrauchsgraphik, 10, 1954

Information

Content includes:
Alexandre Alexandre: Covers for Gramophone Records from Belgium and France
Gerhard Hotop. Featuring of books
Eberhard Hölscher: Beauty in Steel. An exhibition in Belgium
Walter Keim: « Musica Viva», München, Posters for concerts
Hans Orlowski, woodcut artist
Eberhard Hölscher: An old cock decked with new plumage. Advertisements for the cigarette firm Ed. Laurens
Wolf Ernst: The danger of fire, illustrated. The result of an interesting competition for posters
Eberhard Hölscher: Time-tables for German omnibuses
Ludwig Ebenhöh: Hose appeals Publicity for «Bi» stockings
Fritz Pauli: Vorspiegeleien. False pretenses.
About the nuisance of plagiarism

Details

  • Format: Magazine
  • Designer/s: Hagenhofer
  • Year: 1954
  • Client/Publisher: Bruckmann Verlag
  • Size: 210mm x 295mm

Linked Information

Gebrauchsgraphik, 10, 1954
Gebrauchsgraphik, 10, 1954. Cover design by Hagenhofer
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Fortune magazine, Vol. 22, No. 2, 1940. Cover design by Herbert Bayer
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Fortune magazine, Vol. 22, No. 2, 1940

  • Format: Magazine
  • Designer/s: Herbert Bayer
  • Year: 1940
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Gard Sivik 30 January - February 1963
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Gard Sivik 30 January – February 1963

  • Format: Magazine
  • Year: 1963
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Harr Scheffer, 1978
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Harr Scheffer, 1978

  • Format: Book
  • Designer/s: Harr Scheffer
  • Year: 1978
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Fact, Volume Three, Issue One, 1966. Designed by Herb Lubalin
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Fact, Volume Three, Issue One, 1966

  • Format: Magazine
  • Designer/s: Herb Lubalin (Art Director)
  • Year: 1966
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Karl Otto Goetz - Sprengel Advertisements. Scanned from Gebrauchsgraphik 06, 1954
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Sprengel, a Comparison of Advertisements from the 1950s

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Graphis 148, 1970 deisgned by Gottschalk + Ash
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Gottschalk + Ash by Bill Bantey, 1970

When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers
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Max Huber

Max Huber worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.
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