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Content includes:
Franz Christophe; Ausstellung »Der schöne Buchumschlag als Werber für das Buch«, Leipzig
Exhibition of »Beautiful Bindings as Advertiser for Books«, Leipzig
H. J. Barschel
O. F. Kutscher
Reflections on Applied Art in Australia
H. J. Barschel, Franz Christophe, Hein Gorny, O. F. Kutscher, Emil Preetorius, Hans Saebens

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Gebrauchsgraphik, 11, 1935. Cover design by Albert Heim
Gebrauchsgraphik, 11, 1935. Cover design by Albert Heim

 

Gebrauchsgraphik, 11, 1935 Back Page
Gebrauchsgraphik, 11, 1935 Back Page
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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I have been reproached for this, and I will surely be reproached again. I have also been reproached for reading more and more obscure works whose readership must be limited to a handful of specialists and a few hobbyists like myself. It’s a heavy passion or a passion that sucks.

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Jazz Journal was first published in 1946 by Sinclair Traill, who also had some of his photographs used on the covers. The magazine is now online but remained in print for several decades, as Britain's longest enduring jazz magazine.

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Magalhães developed over 180 brands and in addition to developing visual identities, he also developed designs for Brazilian notes and coins.
Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.