Walter Allner

Gebrauchsgraphik, 12, 1954

Information

Content includes:
Eberhard Hölscher: Walter H. Allner, New York. American commercial art
Ludwig Ebenhöh: Winnie Gayler. Featuring of books and illustrations
Eberhard Hölscher: Jacques Nathan, Paris. A French commercial artist
Carl Heußner: Congratulatory cards
Gerhard Ulrich: Signets for Bertelsmann’s reading circle. Results of a competition
Anton Stankowski: Xth Triennial in Milan. The meeting place of good featuring
Anton Sailer: Sales promoting rebuses
Max Körner: New posters for the Nuremberg Christmas Fair
New types of the type foundry D. Stempel A.-G., Frankfort a. M.

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Gebrauchsgraphik, 12, 1954. Cover design by Walter Allner
Gebrauchsgraphik, 12, 1954. Cover design by Walter Allner

Gebrauchsgraphik, 12, 1954
Gebrauchsgraphik, 12, 1954

 

Gebrauchsgraphik, 12, 1954
Gebrauchsgraphik, 12, 1954
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He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.
Every year the 20 best posters are selected in Germany and once more brought to the attention of the public. We do not publish all the twenty posters today; instead we add some which failed to be distinguished and which nevertheless are distinguished.

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“Der Druckspiegel” typographic supplement May 5, 1967, was focused on a selection of the winning entries from Die besten Plakate des Jahres featuring over fifty winning entries.

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The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.