Gebrauchsgraphik, 5, 1970

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Content includes:
Sigwart Blum – Illustrations of Dante\’s \”Divine Comedy\”, by Carlos Alonso, Argentina
Horst Heiderhoff – Typomundus, World of Typography, ICTA, Documentation No.20
Volker Duvigneau – Hohlwein-Posters from 1906 to 1914
J.J. de Lucio-Meyer – The Eurostar Awards for packaging, 1969
Hans Kuh – Programmed graphic art, designs by Hans-Dieter Schrader
Erich Pfeiffer-Belli – Stage-Sets and Figurines by Roman Weyl
Jorg Lampe – Applied Photography, works by Friedemann Hett
Theodor Hilten – The Corporate Identity of the Dutch Chemical Combine DSM

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Gebrauchsgraphik, 5, 1970
Gebrauchsgraphik, 5, 1970
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Before setting up Ken Garland & Associates in Camden, London, Ken was art editor of Design magazine in 1956. The magazine was published by the Council of Industrial Design, which was set up in 1944 with the prime focus of supporting Britains economic recovery.

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His distinctive style echoes the artistic expressions of fellow Italian designers Giovanni Pintori and Erberto Carboni. Tovaglia's mastery in taking concepts and translating them into visually compelling narratives is evident in this selection of advertisements I have scanned from Gebrauchsgraphik, 10, 1955.

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Jean Carlos Distefano is an Argentinian artist, designer and teacher. He designed a range of posters, programmes brochures and book covers alongside Juan Andralis, Humberto Rivas and Roberto Alvarado for the Instituto di Tella, Buenos Aires.
The book "Modern Man In The Making" (1939), is a fantastic example of Neurath's work. The book uses Isotype's principles with text to illustrate complex societal issues like globalisation and war's impact on economies, prioritising visual recognition through symbols to aid in memorability—a philosophy that remains paramount in design today.