Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Gebrauchsgraphik, 08, 1959

Information

Content includes:
Eberhard Hölscher – The best German Posters of 1958
Hans A. Halbey – Bookjackets as an advertising medium
Raimondo Hrabak – Giancarlo Iliprandi – an Italian Commercial Artist
Hans Kuh – Perspective as a Means of Artistic Expression
Max Burchartz – Commercial Graphic Artists as Designers. Results of a Design-Contest for printed curtains
Armin Eichholz – The Illustrator Hermann Metzger
Franz Hermann Wills – Rudolf J. Schmitt – a graphic Artist from Berlin
Franz Hermann Wills – ‘Augustea Filettata’, a type of the Typefoundry Società Nebiolo, Torino

Details

  • Format: Magazine
  • Designer/s: Cecchetti
  • Year: 1959
  • Client/Publisher: Bruckmann Verlag
  • Size: 230mm x 297mm

Linked Information

Gebrauchsgraphik, 8, 1959
Gebrauchsgraphik, 8, 1959
More graphic design artefacts
Typoesie, Jérôme Peignot, 2005
From the design archive:

Typoesie, Jérôme Peignot, 2005

  • Format: Book
  • Year: 2005
View Artefact
Typografia, ročník 75, 11-12, 1972. Cover design by Jan Urbánek
From the design archive:

Typografia, ročník 75, 11-12, 1972

  • Format: Magazine
  • Designer/s: Jan Urbánek
  • Year: 1972
View Artefact
Novum Gebrauchsgraphik, 2, 1973. Cover design by Toni Blank
From the design archive:

Novum Gebrauchsgraphik, 2, 1973

  • Format: Magazine
  • Designer/s: Toni Blank
  • Year: 1973
View Artefact
Gebrauchsgraphik, 03, 1962
From the design archive:

Gebrauchsgraphik, 03, 1962

  • Format: Magazine
  • Year: 1962
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Idea 46, 1961. Cover design by Hiroshi Ohchi.
  • Design Archive Feature, Members Only Content

Hiroshi Ohchi. Japanese Graphic Designer | 1908 – 1974

Hiroshi Ohchi was a prominent Japanese designer, known for his playful and imaginative illustrated poster and packaging designs. He often combined bright colours with simple geometric forms and illustrated people and humanistic elements.

Members Content

De 8 en Opbouw, 8e jaargang No 13, 3 Juli 1937 designed by Paul Schuitema
  • Design Archive Feature, Members Only Content

Typophoto. Paul Schuitema and his cover designs for De 8 en Opbouw

Throughout the 1920s and 1930s, Paul Schuitema emerged as one of the Dutch pioneers of new typography. This article features a selection of the cover designs and a few inner spreads from my collected issues of De 8 en Opbouw.

Members Content

Erberto Carboni’s Crociere 1937 “Italia” Brochure
  • Design Archive Feature, Members Only Content

Erberto Carboni’s Crociere 1937 “Italia” Brochure

One of my standout collected pieces is Erberto Carboni’s Crociere 1937 “Italia” Brochure, created for the Societa di Navigazione’s 1937 cruise schedule.
Idea 81, 1967. Cover design by Yusaku Kamekura
  • Design Archive Feature

Elements of Idea “The Arrow” by Shigeo Fukuda, 1973

The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.