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Graphic Design History from Design Reviewed

Graphic Design 12, 1963

Information

Content includes:
Alexandre Alexeieff / Masaru Katsumi
Louis Dorfsman and CBS / Katsumi Katsuta Naka Ikko Kazumasa Nagai
Design Policy of Geigy / Masaru Katsumi
parade of light
Japan Design Committee
Printing Design Laboratory ⑫ / Hayakawa Design Office staff (Tadahito Nadamoto, Teijiro Nakaide, Masamichi Obama, Takao Yamada, Tsugutsugu Obashira)
World Rookie Prospects ⑫ / Masaru Katsumi
　Heinz Waibl
Yoshiko Hirohashi
Koichiro Inagaki
Portfolio World Bibliography

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

Details

  • Format: Magazine
  • Designer/s: Atsuko Anzai
  • Year: 1963
  • Client/Publisher: Diamond publishing
  • Size: 260mm x 300mm

Linked Information

Graphic Design 12, 1963. Cover design by Atsuko Anzai
Graphic Design 12, 1963. Cover design by Atsuko Anzai
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
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Idea 242, 1994
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Idea 242, 1994

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  • Year: 1994
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Visible Language, Vol 09, 01, Winter 1975
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Visible Language, Vol 09, 01, Winter 1975

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  • Year: 1975
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Visible Language, Vol 06, 04, Autumn 1972
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Visible Language, Vol 06, 04, Autumn 1972

  • Format: Magazine
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Graphic Design 25, 1966. Cover design by Kuniomi Uematsu
From the design archive:

Graphic Design 25, 1966

  • Format: Magazine
  • Designer/s: Kuniomi Uematsu
  • Year: 1966
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More graphic design history articles

Members Content

Idea 81, 1967. Cover design by Yusaku Kamekura
  • Design Archive Feature, Members Only Content

Yūsaku Kamekura. Japanese Graphic Designer | 1915 – 1997

Yūsaku Kamekura had a long list of clients and as well as cover designs, he worked across logo and brand design, packaging, book design, and other printed matter, but he is particularly known for his poster design. His clients included Nikon, Tokyo 1964 Olympics, Meiji and TDK.

Members Content

Ballet 71, Staatsheater Kassel, 1971. Designed by Karl Oskar Blase
  • Design Archive Feature, Members Only Content

The Poster Designs of Karl Oskar Blase

Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978. 

Members Content

Unimark International and the visual identity of South-African manufacturer, DEFY.
  • Design Archive Feature, Members Only Content

Unimark International and the visual identity of South-African manufacturer, DEFY.

The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.

Members Content

The Graphic, no 1892, 1905
  • Members Only Content

The Birth of the Advertising Agency

The advertising agency played a crucial role in shaping consumer culture by acting as a bridge between businesses and the media and was stated to have started in the mid-19th century.