Kuniomi Uematsu

Graphic Design 25, 1966

Content includes:
One trial of Yamato-e and seasonal calendar / Shuzo Takiguchi
Demonstration panel of the ’66 Nisumi Exhibition / Hiromu Hara
Periodicity of visual elements / Karl Gerstner
Addendum on the subject of
Continuity seen in three packages
Continuity seen in the catalogue
Continuity in the physical image and optic image
Continuity in the structural image
Film title of Matthew Leibowitz
Aquirax Uno’s recent work / Yoshio Hayakawa
Kazumasa Nagai’s recent work / Yoshio Hayakawa
Blyukhel’s Diversity / Masaru Katsumi
Franco Maria Ricci Works / Masaru Katsumi
Poster of (Herb Lubalin) / Hiromu Hara
Formal World / Koji Fukakusa
Braun Design Policy / Masaru Katsumi
Poster Gallery Masson / Masaomi Unagami

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

Details

Kuniomi Uematsu
Kuniomi Uematsu studied architecture in Tokyo, graduating in 1947, before joining Isetan Department Store. From 1956 to 1959 he worked at Takashimaya Department Store, then moved into graphic design at the Nippon Design Center. From 1966 to 1971 he worked at Tokyu Agency, and subsequently established his own practice. He was responsible for the textiles pavilion at the 1970 Osaka World Fair and was active in textile design alongside his advertising work. He received the JAAC special prize in 1959 and Tokyo Art Directors' Club medals in 1963, 1964 and 1967. Explore related designers including Ikko Tanaka and Yusaku Kamekura. See also Japanese Modernism, 1970 Osaka World Fair, and Japanese graphic design history.
Graphic Design
Graphic Design was a Japanese publication which started in the late 1950s and had a run of 100 issues.

Linked Information

Graphic Design 25, 1966. Cover design by Kuniomi Uematsu
Graphic Design 25, 1966. Cover design by Kuniomi Uematsu
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
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