Graphic Design 42, 1971

Information

Content includes:
Otto Neurath and Isotype Marie Neurath
International Symbol Project Tokyo/Osaka/Sapporo Masaru Katsumi
LoCoS Inventing an experimental visual language Yukio Ohta
Japanese Emblem Atsuko Katsube
Gonzalez Lewis and Shakespeare’s Identification System Akio Kanda
Young generation 3 Hitoshi Ejima
Two personalities: Teruhiko Yumura and Haruo Takino
Contemporary German Posters Hiroshi Hara

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 42, 1971
Graphic Design 42, 1971
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
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From the design archive:
From the design archive:
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Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.

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In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.

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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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Ian McLaren and Ken Briggs produced exceptional work for a range of clients in the arts and culture sector. Their client included CND (Campaign for Nuclear Disarmament), The National Theatre and the Arts Council.