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Content includes:
Kanazawa’s drawcard: Examination of local culture / Yoshiki Mori
Abstract Drama Kazumasa Nagai / Masaru Katsumi
I can’t write uncool things like an art critic / Ren Ejima
New York sewing artist Pat Olesko / Simon Boiko
Masuteru Aoba’s non-commissioned poster / Masuteru Aoba
World’s New Prospects ’80 Argentina
Standard bearers of the second generation of graphic design / Guillermo Gonzalez Ruiz
Glace and Art Nouveau: Pioneers of Toral Design / Masaru Katsumi
Meiji period export phosphorus ticket story Match Heaven / Susumu Sakane
Activities of the Japan Graphic Designers Association

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 77, 1980. Cover design by Masayoshi Nakajo
Graphic Design 77, 1980. Cover design by Masayoshi Nakajo
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.
Why Graphic Culture Matters is a compilation of 46 thought-provoking essays by renowned design critic Rick Poynor, delving into the realms of art, design, and visual communication.
Projekt 26 is a fantastic online store dedicated to vintage Polish posters, as well as operating online, both Harriet and Sylwia also run poster markets, social accounts full of the vibrant works and have a radiating passion and knowledge of the subject.

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.