Content includes:
Kanazawa’s drawcard: Examination of local culture / Yoshiki Mori
Abstract Drama Kazumasa Nagai / Masaru Katsumi
I can’t write uncool things like an art critic / Ren Ejima
New York sewing artist Pat Olesko / Simon Boiko
Masuteru Aoba’s non-commissioned poster / Masuteru Aoba
World’s New Prospects ’80 Argentina
Standard bearers of the second generation of graphic design / Guillermo Gonzalez Ruiz
Glace and Art Nouveau: Pioneers of Toral Design / Masaru Katsumi
Meiji period export phosphorus ticket story Match Heaven / Susumu Sakane
Activities of the Japan Graphic Designers Association
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Advertising Design, Design Archive Feature, Members Only Content, Studios & Collectives
The advertising has a certain contrast of hand-drawn and mechanical. Produced entirely in black, it reminds us that the absence of colour can be highly effective. Hans Michel and Günther Kieser's illustrations bring a sense of both playfulness and a stylistic approach to a corporate client.
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Design Archive Feature, Advertising Design, Members Only Content
Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.
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Design Archive Feature, Members Only Content, Poster Design, Regional Histories
The Paris Poster Hoardings of 1938. Posters gleam forth accentuating the melody of this city as they direct the eye to articles of everyday use and above all to people who are the talk of the hour.
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