Graphis 114, 1964

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Content includes:
Dr. Erika Billeter, Zürich: The Development of Stage Design Since 1950
Brian Grimbly, London: Design & Art Direction ’64, London. The second exhibition of graphic and editorial art in Great Britain
Raymond Cogniat, Paris: La Belle Epoque: French Posters Between Two Centuries
Max Huber, Morbio Inferiore: Toshihiro Katayama
Françoise Henry, Dublin: Irish Art

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Graphis 114, 1964. Cover design by André François.
Graphis 114, 1964. Cover design by André François.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.
In minor printed matter we constantly meet the new typography, but it is relatively rare to find posters designed on the new lines. And yet poster-designing is a field where new typographical methods might be employed with great effect.

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Karl Oskar Blase was born in 1925 in Cologne, Germany. He was a prolific painter, designer, sculptor and exhibition curator. His work included magazine covers, for publications such as Form and Gebrauchsgraphik, stamp designs for the German Postal Service and film posters for companies such as Atlas Films.

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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.