Celestino Piatti

Graphis 115, 1964

Information

Content includes:
Dr. Maria Netter, Basel: Ceelestino Platti
Dr. Willy Rotzler, Zürich: EXPO – Design Aspects of the Swiss National Exhibition in Lausanne 1964
Marilyn Hoffner, New York: Herb Lubalin Design and Art Director
Opland, Amsterdam: Steendrukkerij de Jong & Co. Public Reletions of a Dutch Lithographic Printer
Manuel Gasser, Zürich: Robert Wyss
Heiri Steiner, Zürich: AGI – Congress at Alpbach and Exhibition in Hamburg

Details

Linked Information

Graphis 115, 1964. Cover design by Celestino Piatti.
Graphis 115, 1964. Cover design by Celestino Piatti.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.
Last month (March 2022), I spoke to over fifty Graphic Design undergraduates about the archive and my passion for design history, after which the students had full access to items in the collection and participated in discourse amongst their peers and lecturers. As part of their critical studies unit, the students will be producing essays and content related to the impact, history and aesthetics of selected artefacts.

Members Content

The best poster designs from Die besten Plakate des Jahres 1957 with a translated foreword by Walter Kern. Featuring the work of J. Müller-Brockmann, Gottlieb Soland, Mary Vieira and Celestino Piatti.