Graphis 126, 1966

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Content includes:
Alastair Allen, Ludlow: Time / Life/ Sports Illustrated / Fortune / Promotion that creates confidence
Hans Neuburg, Zürich: Musica Viva
Gillo Dorfles, Milano: F. Grignani: Alfieri & Lacroix / Trade advertising creates an image for an Italian printer
Willy Rotzler, Zürich: Air-India
Willy Rotzler, Zürich: Walter Grieder
Jerome Snyder, New York: Paul Davis

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Linked Information

Graphis 126, 1966. Cover design by Walter Grieder.
Graphis 126, 1966. Cover design by Walter Grieder.
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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.

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Ian McLaren and Ken Briggs produced exceptional work for a range of clients in the arts and culture sector. Their client included CND (Campaign for Nuclear Disarmament), The National Theatre and the Arts Council.

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Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.

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The best poster designs from Die besten Plakate des Jahres 1956 with a translated foreword by Jakob Rudolf Welti. Featuring the work of Herbert Leupin, Carl B. Graf, Carlo Vivarelli and Emil Ruder.