Join the Mailing List

Membership

Graphic Design History from Design Reviewed
Jean Michel Folon

Graphis 130, 1967

Information

Content includes:
Robert C. Reed, New York: Art Directors Club of New York. 46th Exhibition of Advertising and Editorial Art
Erika Billeter, Zürich: Teresa Byszewska
Leo Lionni, Genua: Jean Michel Folon
François Stahly, Paris: Erik Martin
Erika Billeter, Zürich: On the Iconography of Prehistoric Cave Paintings
Michel Ragon, Paris: François Stahly. His Contribution to the Integration of the Arts
G.K. Howard, London: Artists’ Christmas and New Year’s Cards
Hans Finsler, Zürich: Samuel Haskins, Johannesburg: African Image

Details

  • Format: Magazine
  • Designer/s: Jean Michel Folon
  • Year: 1967
  • Client/Publisher: Graphis Press
  • Size: 235mm x 300mm

Linked Information

Graphis 130, 1967. Cover design by Jean Michel Folon.
Graphis 130, 1967. Cover design by Jean Michel Folon.
More graphic design artefacts
Publimondial 71, 1955. Cover design by Jean Bar
From the design archive:

Publimondial 71, 1955

  • Format: Magazine
  • Designer/s: Jean Bar
  • Year: 1955
View Artefact
Graphische Revue, 15 Jaargang, Juni 1931
From the design archive:

Graphische Revue, 15 Jaargang, Juni 1931

  • Format: Magazine
  • Year: 1931
View Artefact
Novum Gebrauchsgraphik, 10, 1973
From the design archive:

Novum Gebrauchsgraphik, 10, 1973

  • Format: Magazine
  • Year: 1973
View Artefact
Typografia, ročník 76, 10, 1973. Cover design by N. A. Gončarova
From the design archive:

Typografia, ročník 76, 10, 1973

  • Format: Magazine
  • Designer/s: N. A. Gončarova
  • Year: 1973
View Artefact

view more of the graphic design archive

More graphic design history articles
Rudolph de Harak - Rational-Simplicity
  • Design Books

Rational Simplicity, the first major monograph of Rudolph de Harak by Richard Poulin

"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."

Members Content

Social Welfare Funds, Netherlands Maxi Card (Yellow), 1970. Designed by Ootje Oxenaar
  • Design Archive Feature, Members Only Content

The Innovative Netherlands Stamps designed by Ootje Oxenaar in 1970

Ootje Oxenaar designed the summer stamps for the Netherlands using an assignment from De Nederlandsche Bank based on banknotes. The assignment resulted in the collaboration of Oxenaar, the printer, the laboratory and the banking specialist, in which they experimented with the design of securities on printed matter.
Radici, Graphic Design from Hypertextuality to Hyperknowledge (Radici, La Grafica dall’Ipertestualità all’Iperconoscenza), 2021.
  • Designer Interview

Katia Pecoraro: The dualism between system and freedom, design and life.

"Talking about myself as a designer is something that requires a powerful dialogue with my life experiences. In a radical way, I apply an exercise in which design forms become projections of life, extensions of meaning that constantly involve senses."
The Birth of a Style. The Influence of the Basel Educational Model on Swiss Graphic Design, Triest Verlag, 2024 
  • Design Books

The Birth of a Style The Influence of the Basel Educational Model on Swiss Graphic Design

Founded in 2015, Triest Verlag für Architektur, Design und Typografie have published notable works on graphic design history, including biographies of Othmar Motter, studies on Eugen Gomringer’s typography and poetry, Ernst Keller’s teachings. Thier latest book The Birth of a Style, focuses on the influence of the Basel Educational Model on the evolution of Swiss graphic design into the renowned international style.