Graphis 149, 1970

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Content includes:
Manuel Gasser, Zurich: Picasso. Femme au chapeau. Genesis of a Sculpture
Henry Wolf, New York: Henry Wolf. A ‘Noisy Minority’ View of Advertising
Josef Muller-Brockman, Zurich: 1970 Third International Poster Biennale in Warsaw
Jerome Snyder, New York: Emil Antonucci
Edward Booth-Clibborn, London: Design & Art Direction ’70, London. The Eighth Exhibition of British Advertising and Editorial Art
Allen F. Hurlburt, New York: Editorial Design in America

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Graphis 149, 1970. Cover design by F. G. Boes.
Graphis 149, 1970. Cover design by F. G. Boes.
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Franco Grignani (1908-1999) was one of the twentieth century’s most important Italian graphic designers. Scanning the inner pages of Gebrauchsgraphik 04, 1962, I have managed to collate a selection of the advertisements created in the 1950s and early 1960s, showcasing his groundbreaking design work.
The UK’s first vintage poster market is to launch as a 3-day pop-up at the Copeland Gallery in Peckham 14-16 May. Entry is free.
I have long been a fan of Counter-Print, as a student, I would order their newsprint publications, peruse their Flickr albums and now, over a decade later I still buy their latest releases and their site provides our staff with great giftse throughout the year. I interviewed one of the founders, Jon Dowling to find out more about setting up Counter-Print, their favourite books and which publishers inspire them.

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Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.